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                            往期内容 ARCHIVE

                            2020s

                            • 2021–2022 第60卷
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                            2010s

                            • 2019–2020 第58卷
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                            2000s

                            • 2009–2010 第48卷
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                            1990s

                            • 1999–2000 第38卷
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                            • 1996–1997 第35卷
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                            • 1993–1994 第32卷
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                            • 1990–1991 第29卷

                            1980s

                            • 1989–1990 第28卷
                            • 1988–1989 第27卷
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                            • 1981–1982 第20卷
                            • 1980–1981 第19卷

                            1970s

                            • 1979–1980 第18卷
                            • 1978–1979 第17卷
                            • 1977–1978 第16卷
                            • 1976–1977 第15卷
                            • 1975–1976 第14卷
                            • 1974–1975 第13卷
                            • 1973–1974 第12卷
                            • 1972–1973 第11卷
                            • 1971–1972 第10卷
                            • 1970–1971 第9卷

                            1960s

                            • 1969–1970 第8卷
                            • 1968–1969 第7卷
                            • 1967–1968 第6卷
                            • 1966–1967 第5卷
                            • 1965–1966 第4卷
                            • 1964–1965 第3卷
                            • 1963–1964 第2卷
                            • 1962–1963 第1卷

                            每期价格

                            1999–2000

                            • Cover: Thomas Hirschhorn, Flugplatz Welt/World Airport, 1999, mixed media, dimensions variable. Installation view, Venice Biennale. Photo: Fabio Polo. Inset: Pierre-Louis Pierson/Aquilin Schad, La Marquise Mathilde (detail), 1861–67, photographic print painted with gouache, ca. 27? x 20&#8542;".
                              1999年9月
                              第38卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: David Wojnarowicz and Mike Bidlo, Pier 34, 1983. Photo: Andreas Sterzing. Inset: Jeff Koons, One Ball Total Equilibrium Tank (Spalding Dr. J 241 Series) (detail), 1985, glass, steel, plastic, distilled water, reagent-grade sodium chloride, and basket ball, 64? x 30? x 13?".
                              1999年10月
                              第38卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Mark Dion, Tate Thames Dig, 1999. Photo: Andrew Cross. Inset: Ron Mueck, Mask, 1997, polyester resin and mixed media, 62? x 60? x 48&#8542;". Photo: Laura Hoffmann.
                              1999年11月
                              第38卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover, top row, left to right: Bruce Nauman, Anthro/Socio (Rinde Facing Camera) [detail], 1991, six videodisc players, six color monitors, three video projectors, and six video discs, dimensions variable. Installation view. Daniel Martinz, Museum Tags: Second Movement (Overture) or Overture con Claque— Overture with Hired Audience Members (detail), 1993, metal visitor tags, 1?  x 1&#8220; each. From the 1993 Whitney Biennial. Robert Gober, Untitled (detail), 199597, mixed media, dimensions variable. Matthew Barney, Cremaster 4 (detail), 1994, production still from a color video transferred to 35mm, 42 minutes 40 seconds. Photo: Peter Strietmann. Second row, left to right: Gabriel Orozco, Pinched Ball (Pelota ponchada) [detail], 1993, Cibachrome print, 9 x 13? &#8221;. Andreas Gursky, Chicago Mercantile Exchange (detail), 1997, color photograph, 70&#8542; x 94?&#8220;. Jeff Wall, A Sudden Gust of Wind (After Hokusai) [detail], 1993, Cibachrome transparency, aluminum display case, and fluorescent light, 90? x 12' 4? &#8221;. Cindy Sherman, Untitled (detail), 1994, Cibachrome print, 44 x 30&#8220;. Vanessa Beecrof, US Navy SEALs, 1999. Performance view, Museum of Contemporary Art, San Diego. Photo: Todd Eberle. Tableau vivant by Jack Smith (detail), ca. 1957/1997, uncropped color photograph printed from a 2? x 2?&#8221; negative taken with a reflex camera. Francis Francine. The Plaster Foundation, New York. Third row, left to right: Elizabeth Peyton, Blur Kurt (detail), 1995, oil on Masonite, 14 x 11&#8220;. Charles Ray, Puzzle Bottle (detail), 1995, painted wood in glass bottle, 13' x 4&#8221; diameter. Cady Noland, Untitled, 1989, scaffolding, beer, car parts, and basket. Installation view. Photo: Michael Olijnyck. Monique Prieto, AM Safety Zone (detail), 1999, acrylic on canvas, 72 x 96&#8220;. Jeff Koons, Puppy (detail), 1992, live flowers, earth, wood, and shell, 39 x 16 x 21'. David Reed, #332 (detail), 199394, oil and alkyd on linen, 26 x 110&#8221;. Bottom row, left to right: Mike Kelley, Dialogue #2 (Transparent White Glass/Transparent Black Glass) [detail], 1991, blanket, stuffed animals, and cassette player, 74 x 49 x 11&#8220;. Seydou Ke?ta, untiled, ca. 1954, black-and-white photograph. Pipilotti Rist, Let me sip your ocean (detail), 1995–96, video installation. Sigmar Polke, G?rtner (Gardener) [detail], 1992, acrylic on synthetic fabric, 114? x 114?&#8221;. Todd Haynes, Velvet Goldmine, 1998, production still from a color film in 35mm, 127 minutes. Brian Slade (Jonathan Rhys Meyers). Photo: Peter Mountain. Robert Mapplethorpe, Self-Portrait (detail), 1978, black-and-white photograph. The Estate of Robert Mapplethorpe, New York.
                              1999年12月
                              第38卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Stan Douglas,  Win, Place or Show (detail), 1998, still from a two-channel video projection with a four-channel sound track; 2,423 variations, averaging 6 minutes each. Inset: Francesco Clemente, She and She (detail), 1982, pastel on paper, 24 x 18".
                              2000年1月
                              第38卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Knut ?sdam, _Untitled: Pissing (detail), 1995, still from a color video. Inset: Lucio Fontana, Spatial Concept/The End of God (detail), 1963, oil, tears, holes, and graffiti on canvas, ca. 70 1/16 x 48 7/16".
                              2000年2月
                              第38卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Ed van der Elsken, from &#8220;Paris, France,&#8221; 195054, black-and-white photograph. Included in Love on the Left Bank (Amsterdam: Besige Bij, 1956). Inset: Mary Harron, American Psycho (detail), 2000, production still from a color film in 35 mm, 98 minutes. Patrick Baterman (Christian Bale).
                              2000年3月
                              第38卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Sophie Calle, B, C, W (detail), 1998, four color photographs and four texts, each ca. 26&#8540; x 26&#8540;" framed. Photo: Jean-Baptiste Modino. Inset: Walter Benjamin, 1938. ? Gisèle Freund/Agence Nina Beskow.
                              2000年4月
                              第38卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover, clockwise from top left: James Welling, 2-29 11-96 (detail), 1996, vegetable dye on rag paper, 34 x 27&#8220;. From the series &#8221;Light Sources,&#8220; 1992-98. Wayne Thiebaud, Strawberry Cone (detail), 1969, oil on paper, 11 x 14&#8221;. Christopher Williams, Model: 1964 Renault Dauphine-Four, R-1095. Body Type &amp; Seating; 4-dr sedan 4 to 5 persons, Engine type: 14/52 Weight: 1397 lbs. Price: $1495.00 USD (original) (Nr. 1) (detail), 2000, black-and-white photograph, 11 x 14&#8220;. Catherine Chalmers, 199496,* untitled digital color photograph, 40 x 60&#8221;. From &#8220;Unnatural Science.&#8221;
                              2000年5月
                              第38卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Tom Friedman, Untitled, 2000, construction paper, 12  114 x 120&#8220;. Installation view. Photo: Oren Slor. Inset: Edward Ruscha, Is, 1998, acrylic on canvas, 76 x 72&#8221;.
                              2000年夏季
                              第38卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1998–1999

                            • Cover: Monique Prieto, Pedestrian, 1998, acrylic on canvas, ca. 84 x 72?". Inset: Jackson Pollock painting on glass, November 1950. Still from a color film in 16 mm by Hans Namuth and Paul Falkenberg. ? The Museum of Modern Art and Hans Namuth, Ltd.
                              1998年9月
                              第37卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Dieter Roth, Selbstturm/L?wenturm (Selftower/Liontower) [detail], 1969–98, two towers with glass shelves con tainting chocolate and sugar sculptures, each tower ca. 98 7/16 x 39 6/16&#8220; x 39 6/16&#8221;. Photo: Christian Kurz and Alexander Troehler. Inset: Todd Haynes, Velvet Goldmine, 1998, production still from a color film in 35 mm, 127 minutes. Brian Slade (Jonathan Rhys Meyers). Photo: Peter Mountain.
                              1998年10月
                              第37卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Tony Smith, Tau, 1965, cardboard model, 7 x 10 x 6&#8220;. Tony Smith Estate, New York. Photo: Kevin Noble. Inset: Collier Schorr, Two Shirts (detail), 1998, Cibachrome, 40 x 30&#8221;.
                              1998年11月
                              第37卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • 1998年12月
                              第37卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Thierry de Cordier, Jardinière (detail), 1989, gouache on paper, ca. 14 1/2 x 19 11/16&#8220;. Inset: Louise Lawler, Untitled (Oslo), 1993–95, crystal, Cibachrome print, and felt, 2&#8221; high x 3 1/2" in diameter. Edition of ten.
                              1999年1月
                              第37卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • The cover of your copy of Artforum tells only half the story. On the occasion of Yve-Alain Bois's conversation with Linda Nochlin (p.70), alternate cover images grace our February issue. Some editions feature Henri Matisse, A Woman in a Purple Coat with Ranunculi, 1937, oil on canvas, 31 7/8 x 25 11/16&#8220;, ? 1999 Succession Matisse/Artist Rights Society (ARS), New York; others picture Pablo Picasso, Woman Seated in a Garden, 1938, oil on canvas, 51 1/2 x 38 1/4&#8221;. ? 1999 Estate of Pablo Picasso/Artists Rights Society (ARS), New York.
                              1999年2月
                              第37卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Bas Jan Ader, Untitled (Tea Party) (detail), 1972, one of six color photographs, 5 x 8&#8220;. Edition of three. Inset: Sam Francis, Blue Balls VII (detail), 1962, oil on canvas, 81 x 81&#8221;. ? The Sam Francis Estate/Artists Rights Society (ARS), New York.
                              1999年3月
                              第37卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Jackson Pollock, Convergence: Number 10, 1952 (detail), oil and enamel on canvas, 93? x 12' 11&#8220;. Albert-Knox Art Gallery, Buffalo, New York. Inset: Jim Dine, A Nice Pair of Books, 1965, enamel paint on cast bronze, two boots: 16 x 11 x 4&#8221;.
                              1999年4月
                              第37卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Gary Hume, Pink Bird (detail), 1998, gloss household paint on aluminum, 79&#8539; x 63". Inset: *Shozo Shimamoto, A Buddhist Image, 1991, photo documentation. Work by the former Guta? artist is included in the Jeu de Paume's survey opening this month.
                              1999年5月
                              第37卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: David Reed, #439 (detail), 1998–99, oil and alkyd on linen, 60? x 102". Inset: John Bock, Maybe-Me-Be-Microworld, 1999.* Performance view, Anton Kern Gallery, New York.
                              1999年夏季
                              第37卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1997–1998

                            • Robert Rauschenberg, Untitled (Gold Painting) [detail], 1953, gold leaf on fabric, newspaper, wood, paper, and glue on canvas, 19 ? x 19 ?". Inset: Catherine David at the Documenta X press conference, June 19, 1997. Photo: Arno Declair.
                              1997年9月
                              第36卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Tableau vivant by Jack Smith, ca. 1957/1997, uncropped color photograph printed from a 2? x 2?" negative taken with a reflex camera. Inset: Jarvis Rockwell's collection of toys. Photo: Laurie Simmons.
                              1997年10月
                              第36卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Richard Tuttle, Waferboard 4, 1996, acrylic on wafer board, 29 ? x 18&#8220;. Inset: Tazio Secchiarolli, Anita Ekberg, Rome, 1958, black and white photograph. From &#8221;Il Paparazzo/I Paparazzi."
                              1997年11月
                              第36卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Top row, left to right: Dinos and Jake Chapman, Six Feet Under, 1997, fiberglass, resin, and paint, dimensions variable. Installation view. Left to right: GoGo Fuckface and Joey. Robert Rauschenberg, The ? Mile or 2 Furlong Piece, 1981–, mixed media, currently consisting of 189 elements, dimensions variable. Installation view, Ace Gallery, New York, 1997. Joe Brainard, Garden, 1967, gouache, 37 x 27&#8220;. Carsten H?ller and Rosemarie Trockel, Ein Haus für Schweine und Menschen (A house for pigs and men), 1997, mixed media and pigs; house ca. 13' 1 ?&#8221; x 39' 4 ?&#8220; x 19' 8&#8221;, garden ca. 1,200 square feet. Installation view. Photo: Arno Declair. Middle row, left to right: &#8220;Ellsworth Kelly,&#8221; 1997. Installation view, Guggenheim Museum, New York. William S. Burroughs, 1962. Photo: Corbis-Bettmann. Richard Patterson, Young Minotaur (detail), 1997, oil on canvas, 82 ? x 48 ?&#8220;. Robert Gober, Untitled, 1995–97, mixed media, dimensions variable. Installation view. Photo: Russell Kaye. Bottom row, left to right: David Cronenberg, Crash, 1996, detail of a still from a color film in 35mm, 100 minutes. Catherine Ballard (Deborah Unger). Wong Kar-Wai, Happy Together, 1997 detail of a still from a color film in 35mm, 90 minutes. Left to right: Lai Yiu-Fai (Tony Leung Chiu-Wai) and Ho Po-Wing (Leslie Cheung Kwok-Wing). Flowers at the gates of Kensington Palace before the start of Princess Diana's funeral, London, September 1997. Photo: AP/Bebeto Matthews. Elizabeth Peyton, Beck (detail), 1996, watercolor on paper, 12 x 9&#8221;.
                              1997年12月
                              第36卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Sigmar Polke, Parfümbild (Perfume painting) [detail], 1969/71, lacquer on canvas, ca. 59 1/16 x 49 3/16&#8220;. Kunstmuseum Bonn. Inset: Andy Warhol, Self-Portrait, 1981-88, Polaroid photograph, 4 1/4 x 3 3/8&#8221;.
                              1998年1月
                              第36卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Seydou Ke?ta, untitled, ca. 1954, black-and-white photograph. Inset: Richard Diebenkorn, Poppies (detail), 1963, oil on canvas, 40 x 30".
                              1998年2月
                              第36卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Carroll Dunham, Killer (detail), 1997, mixed media on linen, 51 x64". Inset: Elizabeth Murray working on If Only in her studio, January 1998. Photo: Kevin Noble.
                              1998年3月
                              第36卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Chuck Close and Robert Storr during the installation of Close's retrospective at the Museum of Modern Art, New York, February 1998. Background: Chuck Close, Kiki, 1993, oil on canvas, 100 x 84 1/8&#8220;. Photo: Tina Barney. Inset: *Kenneth Noland, That, 1959, acrylic on canvas, 84 x 84&#8221;. From &#8220;The Green Mountain Boys.&#8221;
                              1998年4月
                              第36卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • David Hammons, Two Obvious, 1996, cowrie shells and porcelain, 12 x 14".
                              1998年5月
                              第36卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: Vanessa Beecroft, Show, 1998, twenty models costumed by Tom Ford for Gucci. Performance view. Photo: Mario Sorrenti (detail).  Inset: Alexander Calder, Elephant Head, 1936, sheet metal, wire, lead, and paint, 27? x 33 x 35".
                              1998年夏季
                              第36卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1996–1997

                            • Jasper Johns, _Souvenir 2 (detail), 1964, oil and collage on canvas with objects, 28 3/4 x 21".
                              1996年9月
                              第35卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Ellsworth Kelly, Seven Sketches (detail), 1957-59, ink, pencil, and oil, 15 &#8541; x 21".
                              1996年10月
                              第35卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Georgina Starr, Visit to a Small Planet (Being Blue), 1995, still from a color video, 20 minutes.
                              1996年11月
                              第35卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Left to right: Damien Hirst, Hanging Around (detail), 1996, still from a color film in super 16 mm, 26 minutes. Camilla (Frankie Park). Jasper Johns, Corpse and Mirror (detail), 1974, oil, encaustic, and collage on canvas, 50 x 68 &#8539;&#8220;. ? 1996 Jasper Johns/Licensed by VAGA, New York. Photo: ? 1996 The Museum of Modern Art, New York. Andy Warhol, Rorschach (detail), 1984, synthetic polymer paint on canvas, 20 x 16&#8221;. Ad from the 1996 cK be campaign (detail). Pipilotti Rist, Nett, Dass Du Mich Begleitest Durch Die Kanalisation (It is nice of you to accompany me through the canal [detail]), 1992, mixed media. Installation view, Galerie Walcheturm, Zurich.
                              1996年12月
                              第35卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Richard Billingham, Untitled, 1995, color photograph, 41 5/16 x 62 3/16".
                              1997年1月
                              第35卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Yayoi Kusama, Repetitive Vision, 1996, Installation view, The Mattress Factory. Photo: John Charley.
                              1997年2月
                              第35卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Interior view of the second floor of Donald Judd's him in Eichholteren, Switzerland, 1993. Photo: Todd Eberle.
                              1997年3月
                              第35卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Frances Stark, &#8220;W is Werther&#8221; (detail), 1996, carbon on paper, 18 x 22 1/2".
                              1997年4月
                              第35卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Rineke Dijkstra, Kolobrzeg, Poland, 1992, color photograph, ca. 60 ? x 50 ?". Edition of six.
                              1997年5月
                              第35卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Jeff Koons, Pink Bow, 1995-97, oil on canvas, 106 1/2 x 11' 4 3/8". Photo: Jim Strong.
                              1997年夏季
                              第35卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1995–1996

                            • Katharina Fritsch, Museum, wood, Plexiglas, aluminum, paint, and lacquer, ca 10' 9 7/8&#8220; high x 34' 1 7/16&#8221; diameter.
                              1995年9月
                              第34卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Piet Mondrian, Composition III (Composition with Red, Blue, Yellow, and Black), 1929, oil on canvas, 19&#8541; x 19&#8542;".
                              1995年10月
                              第34卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Paul Thek, Dust, 1988, acrylic and gesso on newspaper, 21?  x 27?". Collection of the Philadelphia Museum of Art, Philadelphia.
                              1995年11月
                              第34卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Cover: top to bottom, left to right: Friends, 1995, the cast of the television show on NBC. Photo: Andrew Eccles. O.J. Simpson learns he has been found not guilty, Los Angeles, 3 October 1995. Photo: AP/Wideworld. Florine Stettheimer, Spring Sale at Bendel's (detail), 1921, oil on canvas, 50 x 40&#8220;. Collection of the Philadelphia Museum of Art, Philadelphia, PA. Hole Singer/guitarist Courtney Love. Photo: Bob King/RETNA. Piet Mondrian, Broadway Boogie Woogie (detail), 1942-43, oil on canvas, 50 x 50&#8221;. Collection of the Museum of Modern Art, New York. Matthew Barney, Cremaster 4 (detail), 1994, production still from a color video, 42 minutes. Photo: Peter Stietman. From the Prada collection spring-summer 1995. Photo: Maria Chandoha Valentino. Larry Clark, from the Kids Portfolio, 1995, one of 15 C-Prints in an edition of 25, 15? x 18?&#8220;. Christian de Portzamparc, Cité de la Musique (view of the concert hall), 1995, Paris. Photo: Nicolas Borel. Gilbert &amp; George, Human Shits (detail), 1994, dyed black and white photographs, ca. 99&#8541; x 14'. From the series &#8221;Naked Shit Pictures,&#8220; 1994. Hugh Grant on The Tonight Show with Jay Leno, 10 July 1995. Photo: AP/Wideworld. Bus advertisement for Calvin Klein Jeans, 1995. Photo: Impact Visuals. Absolutely Fabulous, 1992-95, still from the TV show on Comedy Central. Left to right: Edina (Jennifer Saunders) and Patsy (Joanna Lumley). Georg Baselitz, Das Motif: Giraffe (The motif: giraffe; detail), 1988, oil on canvas, 51&#8539; x 38? &#8221;.
                              1995年12月
                              第34卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Alex Bag, 6th Semester Art School Girl, 1995, still from a color video, 57 minutes. From the video Fall ’95.
                              1996年1月
                              第34卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Ed Kienholz, Walter Hopps, Hopps, Hopps, 1959, paint and resin on wood, printed color reproductions, ink on paper, animal vertebrae, telephone parts, candy, dental molds, metal, pencil, and leather, 87 x 42 x 21". Photo: Susan Einstein.
                              1996年2月
                              第34卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Sylvie Fleury, Sublimes (Chanel Eyeshadow), 1992, Chanel eyeshadow, dimensions variable.
                              1996年3月
                              第34卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Gabriel Orozco, Cat in the Jungle, 1992, Cibachrome photograph, 12 1/2 x 18 3/4".
                              1996年4月
                              第34卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Diana Thater, Moluccan Cockatoo Molly, Numbers 1–10,  1995, video installation with window film. Installation view at Schipper and Krome, Cologne.
                              1996年5月
                              第34卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Peter Fischli and David Weiss, Empty Room (detail), 1996, polyurethane and paint. Installation view at the Walker Art Center in Minneapolis.
                              1996年夏季
                              第34卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1994–1995

                            • Cy Twombly, Summer Madness, 1990, oil, gouache, pencil, and crayon on paper, 59 x 49&#8541;". Collecrion of Udo and Anette Brandhorst.
                              1994年9月
                              第33卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Paul McCarthy, Tomato Head (Burgundy) (detail), 1994, fiberglass, aluminum, urethane, rubber, cloth, Plexiglas, and mixed media.
                              1994年10月
                              第33卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Robert Frank, U.S. 90, en route to Del Rio, Texas, 1955, gelatin silver photograph, 14 x 11".
                              1994年11月
                              第33卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Rem Koolhaas/O.M.A., two libraries on the campus of Jussieu University, Paris, 1992.
                              1994年12月
                              第33卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Nobuyoshi Araki, untitled, 1994, scratched color photograph. From the “Obscenities” series.
                              1995年1月
                              第33卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Ross Bleckner, Throbbing Hearts (detail), 1994, oil on canvas, 106 x 92".
                              1995年2月
                              第33卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • 1995年3月
                              第33卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Bruce Nauman, Ten Head Circle/Up and Down (detail), 1990, wax and wire, dimensions variable.
                              1995年4月
                              第33卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Larry Clark, Kids, 1994, still from a color film in 35 mm. Telly (Leo Fitzpatrick).
                              1995年5月
                              第33卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Florine Stettheimer, Soiree/Studio Party, 1917-1919, oil on canvas, 28? x 30". Collection of Beinecke Library, Yale University, New Haven.
                              1995年夏季
                              第33卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1993–1994

                            • Edward Ruscha, Etc. Etc., 1993, acrylic and wood on linen, 18 x 19". Project Commissioned for the 30th anniversary of Artforum. Photo: Paul Ruscha
                              1993年9月
                              第32卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Vija Celmins, Untitled, 1990, oil on linen, 15? x 18?. Collection of Agnes Gund.
                              1993年10月
                              第32卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Robert Irwin, External Window, 1985, installation view at the Pace Gallery, New York.
                              1993年11月
                              第32卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Peter Saul, Icebox 1, 1960, oil on canvas, 69 x 58 ?".
                              1993年12月
                              第32卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Joan Miró, The Bird Boom-Boom Makes His Appeal to the Head Onion Peel (detail), 1952, oil on canvas, 31&#8542; x 39&#8539;".
                              1994年1月
                              第32卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Karen Kilimnik, High Cheek Bones, 1993, acrylic and crayon, 35 x 23".
                              1994年2月
                              第32卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Gillian Wearing, &#8220;Signs that say what you want them to say and not signs that say what someone else wants you to say,&#8221; 1992-93, C-prints mounted on aluminum, each ca. 15? x 10?".
                              1994年3月
                              第32卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Sean Landers, Fart (detail), 1993, oil on canvas, 84 x 112?".
                              1994年4月
                              第32卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Craigie Horsfield, Maria Ubysz-Nowicka. Ul. Smolensk, Kraków, July 1974, 1974/1994, black and white photograph.
                              1994年5月
                              第32卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Donald Judd, color study for enamel wall work, 1985. Photo: Todd Eberle.
                              1994年夏季
                              第32卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1992–1993

                            • Charles Ray, Fall' 91, 1991, mixed media, 96" tall.
                              1992年9月
                              第31卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Replica of the Santa Maria, West Edmonton Mall, Alberta, Canada. Photo: The Postcard Factory, Markham, Canada.
                              1992年10月
                              第31卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Sue Williams, Die, 1992, acrylic on canvas, 15 x 18".
                              1992年11月
                              第31卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Lari Pittman, This Wholesomeness, beloved and despised, continues regardless, 1989-90, acrylic and enamel on mahogany, 10' 8&#8220; x  96&#8221;.
                              1992年12月
                              第31卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • 1993年1月
                              第31卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • 1993年2月
                              第31卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • 1993年3月
                              第31卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Jonathan Lasker, Invective Decor, 1990, oil on linen, 54 x 72".
                              1993年4月
                              第31卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Daniel J. Martinez, _Museum Tags: Second Movement (Overture) or Overture con Claque-Overture with Hired Audience Members, 1993, metal visitor tags, 1? x 1' each. Cover photo: Kevin Noble.
                              1993年5月
                              第31卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Richard Hamilton, Swingeing London 67 (detail), 1967, oil on canvas and screen print, ca. 26 x 33". Private collection.
                              1993年夏季
                              第31卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1991–1992

                            • Matthew Barney, DELAY OF GAME, 1991, still from color videoaction, 3 minutes 19 seconds.
                              1991年9月
                              第30卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Tom McGlynn and Emily Carter, I Love N.Y., 1990, silk screen on paper, 23 x 20". From the street project and artists' book Your House Is Mine, 1990-91, New York: Bullet Space. Limited edition of 150.
                              1991年10月
                              第30卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Arch Connelly, Local Boy, 1990, collage and acrylic on canvas, 14 x 10”.
                              1991年11月
                              第30卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Dennis Oppenheim, Digestion: Gypsum Gypsies, 1989, pigmented fiberglass, propane tank, plaster, wax, rubber hose, poured resin, regulator, and jeweler's tips, 60” x 20' x 20'.
                              1991年12月
                              第30卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Louise Bourgeois, Cell II (detail), 1991, mixed media, 83 x 60 x 60".
                              1992年1月
                              第30卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • William Wegman, So Sorry, 1991, goache on paper, 12? x 17".
                              1992年2月
                              第30卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Susan Leopold, _Dilemma, 1989, mixed media contruction, 16 x 17 x 14?".
                              1992年3月
                              第30卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Ana Mendieta, Untitled, 1977. From the &#8220;Tree of Life&#8221; series, 1973-80. Edition of two color photographs, each 13? x 20".
                              1992年4月
                              第30卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Anya Gallaccio, Preserve (Sunflowers). 1991, 101 sunflowers and glass, 2 x 59 x 59".
                              1992年5月
                              第30卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Nicola De Maria, Testa Orfica (Orphic head), 1992.
                              1992年夏季
                              第30卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅

                            1990–1991

                            • Ulrich Rückriem, installation view at the Palacio de Cristal, Madrid, April–July 1989.
                              1990年9月
                              第29卷第1期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Per Barclay, Oil Room, 1990, installation view at the Church of the Holy Virgin Mary Smirtidiotissa, Spetsai, Greece.
                              1990年10月
                              第29卷第2期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Via Lewandowsky, Zur Lage des Hauptes (On the position of the head), 1990, mixed media. Installation view, Siegess?ule, Berlin.
                              1990年11月
                              第29卷第3期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Kay Rosen, Read Lips, 1985, sign paint on board, 17? x 33?".
                              1990年12月
                              第29卷第4期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Meyer Vaisman, The Noble Amazon (detail), 1990, silk and ink on cotton, 73? x96 ?”.
                              1991年1月
                              第29卷第5期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Barbara Kruger, _Untitled (Who is Housed?), 1990, photo silk screen on vinyl, ca. 48 x 54".
                              1991年2月
                              第29卷第6期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Karen Knorr, The Analysis of Beauty, 1988, Cibachrome print, 35 x 35&#8220;. From the &#8221;Connoisseurs" series, 1986–89.
                              1991年3月
                              第29卷第7期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Vincent Shine, Untitled (9/29, 9/30, 10/1), 1990, neoprene, ethylene vinyl acetate, polyether methacrylate, cyanoacrylate esther, steel, and acrylic, 3? x 2 x 2 ?” each.
                              1991年4月
                              第29卷第8期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Christian Marclay, Incognita (detail), 1990, record covers, metal zippers, and thread, 78? x 65 x ?".
                              1991年5月
                              第29卷第9期
                              TABLE OF CONTENTS (ENGLISH) 订阅
                            • Wim Delvoye, Old Saw (detail), 1990, circular saw blade and enamel paint, 9?" in diameter.
                              1991年夏季
                              第29卷第10期
                              TABLE OF CONTENTS (ENGLISH) 订阅
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